Kayode Ojo’s Glittery Readymades May Be About Capitalism or … – artnet News

You can learn a lot about Kayode Ojo’s work by watching people interact with it. That’s especially true inside “EDEN,” his new exhibition at 52 Walker, New York, where visitors navigate intricate assemblages of stemware, jewels, and other expensive-looking wares with the trepidation of a tourist at Tiffany’s.

It’s funny at first. After all, most of the shiny objects that make up the artist’s sculptures are not genuine items of luxury, but budget imitations—rhinestones, not deboiamonds; acrylic, not crystal. Then again, that’s the rub: even if these things are cheaply made, they have, through the context of the gallery, been turned into art. And in this case, that art costs between $20,000 and $75,000.

This, of course, is the syllogistic logic that’s always defined the readymade, and Ojo knows it. The New York-based artist directs attention to it with the captions for his sculptures, which reproduce the exact descriptions of his various materials as he finds them at Amazon, Ikea, or…

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